Emily also establishes a credit card fraud ring of her own, recruiting dummy shoppers with the promise of making $200 in one hour, just as Youcef had done. Now living in South America, she returns to making art. The police eventually raid Emily's apartment and discover she is gone. As police and ambulance sirens draw closer, Emily chooses to abandon him in his car and take the money for herself. Taking the ring's money and assisting Youcef to his car, she realizes they have lost his car keys and cannot drive away. Khalil attacks Youcef, severely injuring him, though Emily is able to subdue him using a box cutter. Youcef and Emily arrive at the ring's storage unit to find that Khalil has already taken everything, as well as emptying their shared business bank account.Įmily convinces Youcef to confront Khalil at his safehouse, where they attempt to ambush him. Further, the owner of the rental property he plans to purchase requests an immediate down payment and so he decides to rob the fraud ring itself. Youcef reveals to Emily that Khalil had not been paying him for several months. When Emily objects, Alice insults her, calling her "spoiled". ![]() Meanwhile, Emily's job interview with Alice goes poorly after she discovers the job is actually an unpaid internship. This leads to a falling-out between Youcef and Khalil, who cuts him out of the fraud ring. Emily invites Youcef to the party, which sparks a romance between them.Īt a dinner with Youcef's family, Khalil reveals that Emily has been caught hitting the same store twice within a week, prompting the store to post security footage of her online. At a party, Emily learns that there is an opening at Liz's advertising agency, and that Liz has gotten her an interview with Alice, her boss. While dogsitting for her childhood friend Liz, a buyer for some of her stolen goods follows Emily to her apartment and robs her of her earnings, taking the dog. Youcef lies about his involvement with Emily to his cousin Khalil, with whom he works. He gives her a taser for protection, and instructs her not to sell stolen goods at her home or scam the same store twice in a week. On her request, Youcef teaches Emily how to make fake credit cards on her own. ![]() Emily, an aspiring artist, wishes to visit South America once her loans are paid off, while Youcef plans to purchase a rental property with the money made from the fraud ring. Youcef tends her wounds and they discuss their aspirations. The next day, Emily is sent on a larger job (purchasing a car on a no-limit credit card) which goes poorly after the dealer discovers the scam, leading to a physical altercation. The service is revealed to be a credit card fraud ring, and Emily meets Youcef, one of its organizers, who instructs her to purchase a flat-screen TV using a fake card and ID. ![]() A co-worker connects Emily to a "dummy shopper" service that promises to make her $200 in one hour. Consequently, she delivers food as an " independent contractor" for a catering company. She struggles to pay off her student loans, largely because a felony conviction prevents her from obtaining a well-paying job. Plot Įmily lives in Los Angeles and is deeply in debt. It earned four nominations at the 38th Independent Spirit Awards, including Best First Feature, with Ford winning Best First Screenplay. The film received positive reviews from critics, with praise for its social commentary and Plaza's performance. The film follows Emily Benetto, a young woman saddled with student debt and locked out of the job market due to a minor criminal record, who gets involved in a credit card scam that pulls her into the criminal underworld of Los Angeles.Įmily the Criminal had its world premiere at the 38th Sundance Film Festival on January 24, 2022, and was theatrically released in the United States on August 12, 2022, by Vertical Entertainment and Roadside Attractions. It stars Aubrey Plaza as the title character, with Theo Rossi, Megalyn Echikunwoke, and Gina Gershon in supporting roles. Emily the Criminal is a 2022 American crime thriller film written and directed by John Patton Ford in his feature directorial debut.
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