![]() It’s undeniably sluggish, a fact that’s most obvious when you’re hitting something and try to dodge an incoming attack at the same time. The fighting is good enough – especially when you factor in multiple weapons, each with their own animation – but it doesn't feel as fluid as it should. These are all problems that affect your enjoyment while playing as Zero as well, although they’re not nearly as bad. The flying levels sound amazing on paper, but rapidly become a mess of bad controls and poor design, made worse by plummeting frame rates. ![]() You’ll mostly be fighting foot soldiers or Devil May Cry-style demons, but occasionally you’ll be able to take control of Mikhail the dragon. Stages are short enough that you can play the game in bursts quite comfortably, and as such, it feels like a game that would have sat nicely on the PlayStation Vita. ![]() Those sensitive to such things may feel that it’s a little gratuitous with its frequent bad language, violence, and references to sex, but it’s all part of a gritty and unique style that works really well.Įach level consists of a linear pathway, which you’ll slice and dice your way along – perhaps bumping into a boss as you go. This can lead to a certain roughness during conversations – a feel that perhaps the writers have gone further than they needed to. Their entire personality is often summed up in a single line – “She’s the slutty one” or “She’s the virgin” – and that’s what you’ll get when you come to the inevitable showdown with each sibling. ![]() The sisters, named by the numbers one through to five, are equally straightforward, but don’t get the screen time for it to really matter. Her cruelty causes replacement dragon Mikhail to mess itself on a regular basis, something that we’re sure never happened in any of Tolkien’s work. Zero herself is absolutely insane, but also endlessly rude. The characters aren’t exactly three-dimensional, but the depth of their single-mindedness more than makes up for that. The plot is interesting, and the dialogue is frank and hilariously funny. Unsurprisingly, the siblings overpower her, lop off one of her arms, and kill her dragon in the process – all before she can retreat. Covered in blood, our feisty lead jumps into battle, killing everybody in her way, as she runs towards her sisters. The long-winded old man voice going on and on about the good old days – so familiar in RPGs and action games – lasts about forty seconds here, and this sets the tone for the next ten or so hours to come. The game opens with Zero killing the narrator, instantly setting the release apart from its peers. This is partly because the difficulty curve is gigantic, and partly because the combat and camera actively work against you. The basic goal is to bash stuff without getting too knocked about yourself – something that becomes increasingly hard to accomplish as you progress through the story. This overdue sequel paints itself as an action RPG, but the reality sits more on the side of Dynasty Warriors than that of Final Fantasy or Kingdom Hearts. As moody anti-heroine Zero, you’ll need to trek across mountains or through lush green forests on a quest to destroy your sisters and their vast armies – and you thought that your next Christmas dinner was going to be awkward. No? In Drakengard 3, that’s exactly what happens. ![]() There’s one in every family, isn’t there? One person who has to spoil every gathering, causing drama on social media, and jumping out, murdering people all of the time. ![]()
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